For the audience, the release dates of movies couldn’t be more trivial. It seems there is no strategy required for releasing movies, just pick the first day after the movie is “completely complete”. What I mean by completely complete is a time when all your marketing campaigns have picked up by all the television channels, when all celebrities have made their appearances on the evening talk shows, and if you’re lucky, some kind of controversy may have surrounded your movie’s release. Of course, we can’t forget the fact that a holiday season is the most important factor in gauging a movie’s success. Most of the movies “slated to be a hit” that wound up either in summer or winter season end up being a hit.
Well, after reading this article, I’ve realised that it’s not that simple. There is a game that goes on between different producers, studios and media. There is a sense of “sensibleness” among the various media houses and a continual game of who blinks first, or who’s the chicken is played between them.
The unspoken pact is that no two similar movies should get released on one date, because otherwise the profits are split between the two, and both ending up with little to cheer about. And hence there is always a race to pick a release date for one’s movie and ensure no one else is releasing a similar movie, on the same day.
E.g December 2002 featured one of the most dramatic games of chicken in recent memory, when two films starring Leonardo DiCaprio were both slated to open on Christmas weekend. Ultimately, Miramax blinked first, moving the release of Martin Scorsese’s ”Gangs of New York” five days earlier and ceding the holiday to the other DiCaprio film, DreamWorks’ ”Catch Me if You Can.” ”We didn’t think about moving,” says Terry Press, the head of marketing for DreamWorks. ”We had been there first, and ‘Catch Me if You Can’ was perfect for that date.” This year, DreamWorks chose to schedule a somber psychological drama, ”House of Sand and Fog,” for the day after Christmas, deferring a bit to Miramax. ”I don’t want our reviews to run on the same day as ‘Cold Mountain,”’ Press says.
And sometimes when studios do have to move a film’s release, the size does matter. Bigger the star-cast, the budget and marketing matter, more effort is required to move the release dates. However, the party to move its date (or the chicken) doesn’t always loses, on occasions, a studio may see that test audiences are going berserk for a film and move it into a more competitive time period. Universal initially had only modest expectations for the 1999 teenage sex comedy ”American Pie,” but when the test screenings did so well, it pushed the film from the spring — historically something of a dumping ground — into the summer, where it became a smash hit and established a franchise. ”We did the same thing with ‘The Fast and the Furious,”’ says Nikki Rocco, Universal’s head of distribution.
Of course you don’t want to just keep playing with the release dates, which might irk the audience and media, and they could end up dumping the movie altogether. And sometimes when a movie release schedule is postponed to give space to a bigger more obvious hit, the producers of the movie whose schedule has been changed wish that the bigger movie gets a great start and that more and more people flock in the first weeks to watch it, because the people watch it in the first few weeks, the lesser will watch it later, when the postponed movie is released.
But at the end, it all comes down to this – ” ”There is never a bad time to release a good film — and there is never a good time to release a bad film.”
Vamsi Krishna Duvvuri
MBA Class of 2009
Goizueta Business School
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